¡Gikyoku Galileo Charuzu Ro Ton No Kyoryoku Niyoru Eigo Ban
¡Berutoruto Burehito Ryu Keichi

 Description
[Machine Translation] Brecht, the author of "Three-Penny Opera," turns his unique human-observation gaze on Galileo, the founder of modern science. Is this a false image or a real image of Galileo? Brecht is a master of discourse, who goes beyond the bounds of his interlocutors, drives a counterargument into them like a wedge, and engages them in a conversation. Here is Brecht, a man who, in 1944 in the U.S., met an exile and an actor to create a new "Galileo. The play examines science, people's lives, and theater in the country that dropped the atomic bomb. This book is a vivid demonstration of the joys of Brecht's plays, edited in a wide-ranging style that combines the plays themselves with acting theory, theatrical theory, and performance records.


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