¡SPOON. (Spoon)October 2023 Issue [Cover] "Kiri E No Uta"
¡KADOKAWA

 Description
[Machine Translation] Kirie's Song" cover photo interview on page 12 (from the headline below) Aina: "After I finished watching the film, I realized that life can burn anywhere. Kirie was burning her life by singing her song on the street, and I saw life burning in the moment Natsuhiko was running through the streets and in Ikko's figure. When Fumi was crying "I'm so frustrated / / / / / " I felt her life was shaking somehow. I think I was able to express that in the song. I was told that there was a person in Sendai who was the model for Natsuhiko. Although I could never be 100% in sync with the experience of that person, I decided on my own way of dealing with it when I read the script. In terms of the order of filming, "Kirie's Song" came first and "Suzume's Door Locking" came after, but because of "Kirie's Song" I think I was able to make up my mind for "Suzume's Door Locking". Kuroki: "I thought that if it were possible, Mr. Iwai would have wanted to make it longer. I think Mr. Iwai wanted to convey the energy of "Let's live" to the audience through each character, and I think there were probably more scenes he wanted to use, but I think the screening time was reduced by gathering the necessary scenes for the film. I think that the time was limited to this screening time. Hirose: "(There are) many scenes that I like, but I will never forget the scene where the child Roka's face is filled with tears at the church, and it's a scene that I had only read in the script. I was also impressed by the song that Roka sang on the tree. The same song also appears in the scene between Kirie and Ikko, so I thought it would be very meaningful if it was used repeatedly. Interview 12P


凌 Credits
AINA THE END
Hokuto Matsumura
Haru Kuroki
HIROSE SUZU
SEKINE AKIRA
HISHIKAWA HANA
FAIROUZ AI
SHIROIWA RUKI


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