¡Camera Wo Daite Hashire! Satsuei Kantoku Sen Motomakoto San
¡Sen Motomakoto San / Ta Cho Yamamoto Shunsuke / Ta Cho
Description
[Machine Translation] A moving shot, also known as a dead slow shot, in which the subject is approached faintly and gently. The extreme long takes, in which the photographer pursues the subject at full speed without hesitation, even in the face of violent blurring and reflections, and the vivid (blue) tones that embody the urban darkness. And the vivid blue tones that embody the darkness of the city - this is the cinematography of Seizo Senmoto. After making his debut in 1969 with "Shinjuku Thieves' Diary," he went on a rampage in the 1970s with Toei Central Action and the TV drama series "Daitokai," starting with "The Most Dangerous Game," and in the 1980s worked on many Kadokawa classics, including "Sailor Suit and Machine Gun" and "The Tragedy of W." In the 2000s, he finally reached his peak with "Saraba: Dowabunai Keisatsu" (Saraba: Detective with Dowry). He ended his career in the 2000s with "Saraba Ababunai Keisatsu" (The Abominable Detective). Adored by stars with strong personalities such as Yusaku Matsuda, Hiroko Yakushimaru, and Toru Nakamura, and patronized by famous directors such as Nagisa Oshima, Toru Murakawa, Eiichi Kudo, Shinichiro Sawai, and Kazuhiro Kiuchi, he was also a close friend of Haruki Kadokawa, a rare genius... A "beastly cameraman" who ran through the history of Japanese cinema with a camera in his arms, Seizo Sengen recounts various episodes from his hot days in this memoir!
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