¡Watashi Eiga Otsu Yasu Ni Ro No Showa
¡Kuroda Hiroshi / Cho

 Description
[Machine Translation] Modernist filmmaker Yasujiro Ozu depicted the great depression of the early Showa period. He eventually went to the battlefield as the "new patriarch," but after the war's end, he stepped down from the patriarchal position and recorded his memories of the times he experienced in his haiku-like films. The film is a light, dry, lyrical home drama that is imprinted with Taisho modernism, love and sex, the disintegrating family, and the memory of war. This is a full-length critique of Ozu's films, examining the influences and interactions of such filmmakers as Torahiko Terada, Junichiro Tanizaki, Naoya Shiga, Kikugoro VI, and Sadao Yamanaka.


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