¡Wild 7 1973-74 Jigoku no Shinwa [original script ver.](Middle Part)
¡Mochizuki Mikiya
Description
[Machine Translation] The fan-favorite [raw manuscript version] series is finally complete! Myth of Hell," a masterpiece that shines as among all the works in "Wild 7," will be gloriously displayed in the latter part of the series! Each volume also includes an original reproduction of the original artwork! The most exciting and exciting scene in the is the huge aerial battle of "Zero Battle vs. B-17" exploding over Yokohama! The battle is reproduced for the first time with plenty of color pages, just as it was in the series! (Final special publication project in memory of Mr. Mikiya Mochizuki, who passed away in April 2016! The unparalleled master Mochizuki Mikiya passed away in April, 2016. His masterpiece "Wild 7" (published in Weekly Shonen King from 1969 to 1979) is one of the most famous works in the history of Japanese action manga. In the spring of 2017, on the occasion of the first anniversary of his death, Reprint.com published his first full-fledged illustration collection, "Wild 7 Illustrations," which was very well received. The "Wild 7 Illustrations" series, a new project that is the first of its kind in the history of manga publishing, is a series of illustrations printed from the original manga of "Wild 7" in its original form. The series has received enthusiastic support from many fans for its realistic feel that comes as close as possible to Mochizuki's original handwriting, combined with the dynamism of its large B5 size for the first time since it was serialized in a magazine. Starting with the memorable first episode "The Wild Seven 1969," the series went on to become a hit with "Concrete Guerrillas 1970-71," an action story set in the Yokohama Bay Area, and "Green Grave 1972" (top and bottom), in which a man struggles to overthrow an impregnable private prison. And now, "Myth of Hell 1973-74", a masterpiece worthy of the "conclusion" of this project, has appeared in response to the readers' longing! This work, which most W7 fans consider the best of the series, is a massive work that overwhelms readers with a total of over 1,100 pages, and is published bimonthly in three volumes (upper, middle, and lower volumes). Each volume will be published bimonthly in three volumes, the upper, middle, and lower volumes. (The illustrations are carefully selected from the entire "Wild 7" series, and one copy is enclosed in each volume. In addition, the first customers to purchase the book through reprint.com will receive an unprecedented special bonus ("Wild 7 Illustrations ver.1.77", an original booklet not for sale)! The Wild 7 series has been serialized for more than 10 years, and this 13th episode is recognized as a "masterpiece" by all fans for its epic and turbulent storytelling, fierce action at the extreme limits of manga expression, and the friendship and all-out warfare of Tobiwa and the other W7 members against a great evil that cannot be judged by law. The 13th episode, "Myth of Hell," was serialized for about a year from 1973 issue 39 to 1974 issue 35 of "Weekly Shonen King," and was the second largest episode after the last one, "The Crossroads of the Magic Image. The three Mythos brothers run Mythos Airlines with ruthless violence and organizational power, and have amassed a huge fortune through smuggling with the political and financial world in their arms. When the Wild 7s are dispatched to bring their evil to justice, the three brothers fight back in every way they can. The three brothers are threatened by the B-17 bomber raids on urban areas and the "Monster," a running steel fortress. Furthermore, the "Five Fingers of Chicago," an assassin group from the U.S., comes to Japan and undertakes to destroy the W7 for a hefty fee. Can Tobiwa and his team send these unprecedentedly powerful enemies to hell? In contrast to the sniping and naval battles in "Concrete Guerrillas" and the land battles in "Green Tomb," the speedy aerial battles in "Concrete Guerrillas" are the main attractions of this film. Many WWII fighter planes, such as Spitfires and Junkers, which were kept by corrupt airline companies, appear in this film. The aerial battles between Oyabun, Yakko, and Ryogoku, all flying Zero fighters, and B-17s, are full of power, including color pages (included in the middle volume). The shootout in the botanical garden between Tobiha and the sniper Joe, said to be one of the most famous scenes in W7, is reproduced in 4-color and 2-color on page 23 (included in the lower volume). Yuki's near-death struggle to rescue Asuka at the aquarium during a torrential downpour (included in the first and second volumes). The thrilling bomb scare at the snack bar "VON" that made even the calm Captain Kusanami shudder, the pure-hearted love between Iko and Yuki for Asuka, the meat-and-potatoes battle between the heavy-handed assassin and the giant, Yuki's action in the station on his anti-tank gun-equipped motorcycle, and the unexpected final scene... The last scene is a surprise. The film is packed with so many showpieces that there is no end to the number of them! This is truly the culmination of the series, and the charm of this work is unmistakable. Also reprinted in this issue are the pages that appeared only in the first issue of "Shonen King," which were not included in the hit comic books and subsequent paperbacks. The whole story of "Myth of Hell" is finally revealed! Of course, as with the previous volumes, this is the ultimate in realism, printed directly from the precious raw manuscripts. The book reproduces the shading of the solid black and white, the pencil drawings by Mr. Mochizuki's own handwriting, page nomblings, pinhole marks on the frame designations, white correction marks, phototypes, and pasting marks on the text, etc., as well as the powerful color pages. A gallery of door illustrations from the serialization and detailed illustrations are also included at the end of each volume. This is a rare and valuable publication with a luxurious specification that "couldn't be better than this," so don't miss it! These images are samples. These images are samples of the original manuscripts. ( c ) 2018 Sanae Mochizuki
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