¡Mizoguchi Kenji Ron Eiga No Bigaku to Seiji Gaku
¡Kinoshita Chika / Cho
Description
[Machine Translation] In the face of Kenji Mizoguchi, who transformed time and space through talkies, long takes, and vertical compositions, exposed the contradictory layers of colonialism and violation of women's rights through the female body, celebrated the liberation of women under occupation, directed desires based on power relations based on gift exchange, and continued to expand the concept of cinema, we will analyze and describe his shots. This groundbreaking study analyzes and describes Mizoguchi Kenji's films, and demonstrates the inherent power of film studies in interdisciplinary fields such as film history, film theory, media theory, body theory, and gender theory, as well as primary source material research such as censorship records and shooting scripts, to further direct our attention to the films of Mizoguchi Kenji.
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