¡Deai Wo Motomete Gendai Bijutsu No Hajime Gen
¡Ri, /U[fuan]
Description
[Machine Translation] The collection of writings published from the end of the 1960s to the beginning of the 1970s, which were of great significance to Lee Ufan's self-formation, have been read in new editions as an attempt to criticize modernity by exposing rigid reason and materialization, and at the same time to search for a new theory of expression. What was the 70's like, what were the ideas of the Mono-ha school, and where does expression begin?
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Credits
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