¡Eat The Rich
¡Movie
Description
[Machine Translation] Just because you have money and power doesn't mean you have rights! This is a super black social rock and roll comedy that blows up all kinds of discrimination and hierarchies by cutting into the providence of this world where the incompetent become the powerful! This is the first time it's been released on disc! --In the 1980's, under the Thatcher administration, which had suppressed the punk movement by force and rebuilt the British Empire by cutting social security and the Falklands War, the British people, unable to endure the hardships of life, finally rose up! This is a scathing criticism of the world in which only a few rich people enjoy an elegant life and only the common people suffer. The catchphrase overseas is "You are what you eat! The catchphrase overseas is "You're the one who's eating! The poor, outraged by racism, sexism, classism, favoritism, and authoritarianism, take over the BASTARDS, an upscale restaurant that only the rich can afford, rename it "EAT THE RICH," and make a bloodbath of the rich! Director Peter Richardson, a member of the British comedy group "The Comic Strip" who gained attention as the post-Monty Python of "The Comic Strip", a social satire comedy show that became popular on a British popular TV station, has produced this film with a far more radical and intense satire than the Pythons. The film is a courageous and outrageous black comedy "Eat Yourself Rich," which is a fierce criticism of society, similar to the themes of George Orwell's novel "Animal Farm" and the Beatles' song "Piggies," but when it was first released, no one could follow the venom of the film and it was an unprecedented failure in the history of cinema. It is back after a 36-year absence. It has been described as a "gourmet epicurean epic", and is a heinous heresy that shines brightly in the history of gourmet films, combining "Hannibal" (Lecter version) and "Dr. Strange Love" into a hamburger steak that is over-spiced and dripping with gravy without being slow-cooked. In a recent British media list of the "Top 50 Biggest Film Failures and Follies of All Time," it was ranked 49th despite being an ultra-independent low-budget film (Michael Cimino's "Gates of Heaven" was ranked 2nd and David Lynch's "Planet of the Sand" 3rd), while historical blockbusters were listed all over the place. The film is an unprecedented socialist super-terrorist film. The executive producer is Michael White, who also directed "The Rocky Horror Show" ('75) and the music film "Urgh! The lead roles are played by Lanner Pelleray, who has broken through gender borders and is active in stage, film, television, radio, and music, and Nosher Powell, a former professional heavyweight boxer and stuntman in the 007 series and in "The Wilderness Bouncer" ('64), who plays the upper class Minister of the Interior. He is also the king of runaway rock 'n' roll. The soundtrack features the band Motorhead, the kings of rock 'n' roll and the trump card of mankind, and there is an abrupt live performance by Lemmy, the founder of rock 'n' roll incarnate and the villainous Lemmy, who also delivers a performance including dialogue. The film also features a cast of superb musicians, actors, models, writers, and artists, including Paul McCartney, Angie Bowie, Sandie Shaw, Koo Stark, Miranda Richardson, Shayne McGowan (The Pogues), Hugh Cornwell (The Stranglers), Bill Wyman (The Rolling Stones), and many more. The film features cameo appearances by musicians, actors, models, writers, and artists, and no one knows why they are in the film. No one knows why they are in the film. The content and quality of the work, the public reaction, and the treatment the work received. After several decades of aging, this film has become a must-see for all lovers of rock movies such as "Rock 'n' Roll High School," "Farewell, Light of Youth," "Spinal Tap," "The Commitments," and "School of Rock," as well as for rich and poor people everywhere. The Commitments," "School of Rock," and many others. We have no idea why this film has been revived now, 36 years after its production, but in the current situation in Japan, where the price of food, military spending, and everything else is rising, and life is becoming increasingly difficult, we can understand the feelings of the British people of the 1980s. And this film, which has made its way into the world through the medium of film without hesitation, is sure to bring something that humanity is trying to forget in this age when everything is settling down to "normal" and "average. After all these years, has the human race come closer to understanding this deadly poison, or has it moved away from it?
Original Release Year: 1987
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