¡Femina Ridens
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[Machine Translation] This is the first time. Nobody knew it, nobody had seen it, 56 years ago, a new film, an ultra-pop avant-garde sex thriller made in Italy, finally made its first soft release in Japan after its first arrival in Japan in 2024. The film depicts a never-ending confrontation between a man and a woman, and is filled with eroticism and fetishism that can be seen in many famous films, and also includes psychedelic subcultures, sex, and black humor, creating a perfect and ultra-sophisticated world of abnormality. The near-future sci-fi artwork is uniquely bizarre, and the sheer masterpiece inevitably leaves the viewer's jaw hanging open. Philippe Leroy plays the role of Thayer, a sadistic and humiliated demon. Dagmar Lassander, a German actress who has starred in a large number of Italian crime, horror, and erotic films, gives a cool and passionate performance as Mary, a woman imprisoned in a cell. The music is by Stelvio Cipriani, a master of Italian film music. Cipriani's beautiful melodies, based on the exquisite lounge music of Ennio Morricone and traversing pop, psychedelic, and jazz, have an independent presence that transcends the film, and the film's "Mary's Theme" is popular worldwide. The film is a cruel tale of incompatible male-female lives, depicted in the most colorful of brush strokes. The ending is so poignant and brilliant that, once you have witnessed it, your entire body will become entangled in an addiction. Thayer, a charitable foundation executive with a secret identity as a master of sophisticated torture techniques, abducts and confines Mary, a journalist, in a secret hideout full of brilliant high-tech equipment, including a crucifixion room, a training room, a state-of-the-art shower, a partition-opening bed, a me-doll torture room, a water torture pool room, and a bondage doll room, where she is subjected to unimaginable physical and psychological torture. The girls are subjected to unimaginable physical and mental humiliation in a secret hideout filled with brilliant, high-tech equipment. But Mary, who smiles despite the unspeakable humiliation, is far beyond Thayer's imagination. Thayer begins to feel weak. Now begins a sexual confrontation in which sophistication and barbarism are inextricably linked.
Original Release Year: 1969
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