¡teal
¡Hayashi Masaki

 Description
[Machine Translation] The long-awaited second solo piano work by Masaki Hayashi, an up-and-coming pianist who plays with Naruyoshi Kikuchi and Pepetrement Ascarral, and Sargavo led by Natsuki Kinugi: !!!!!!!! Piano music is music of the hands. In this sense, guitars, percussion, and stringed instruments are also music created by the movement of the hands, but the piano is an instrument that makes one feel the relationship between the hands and music even more strongly. The movements of the performer's fingers, hands, arms, and body (torso) are translated into sound by the device of the piano. Pianist Masaki Hayashi appears at various sites of sound as if by chance. His delicate hands support violinist Toshihiro Nakanishi and Iwao Furusawa, his exotic hands create polyrhythms for Naruyoshi Kikuchi's project Pepe Tormento Ascarral, and his shifting hands in a joint performance with pianist Nobumasa Tanaka, a pianist with rare hands who creates hand movements that match the sound site. He is a pianist with a rare hand that creates hand movements that match the site of the sound. In 2013, after his first solo album "Flight for the 21st," he has put together his first solo album in a long time, "teal. In contrast to the thrilling hand movements on the keyboard of the past, the supple movements of his hands and the surprisingly still, quiet movements of his hands capture soft, deep, and distant soundscapes. The movement of sound, detached from the recorded hand movement on the keyboard, will continue to sleep in people's hearts, outlining Masaki Hayashi's supple hand movement and soft hand shape. ***************************************************** "teal" The color is a beautiful and delicate blue with a perfect balance of blue, green, and light blue. When I visited the suburbs of Gothenburg for a recording session, I was captivated by the cold and quiet air and the warm, yet indescribably beautiful sky. That is the origin of my "teal". I have been playing various types of music, and in the past few years, my awareness of sound has changed drastically. I have been playing various types of music, and my awareness of sound has changed dramatically over the past few years. The sound reminded me of the sensations I had felt before. The work of blending predetermined motifs and improvisation, dripping them into the space and creating colors, transcended the performance and connected the piano, myself, the space, and the people in it. This sense of ritual creates an organic pause. To the echoes played by the pauses


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