¡Kioku Soshitsu Gaku
¡Naruyoshi Kikuchi to Pepe Tormento Azcarar
Description
[Machine Translation] An ensemble that has attracted attention for its unprecedented combination of instruments has released its remarkable second album (third if Kikuchi's "Elisabeth Taylor in South America" is included). With the replacement of several members, the music of the second Pepe Tormento Ascarral began to sound new. While retaining the jazz-Latin lounge feel of the past, Pepe Tormento Ascarral's music has expanded into all areas of popular music, including film music and hidden gems of Brazilian music. The ensemble's unfathomable potential can be enjoyed in a work by Kikuchi himself (#9), a work by Nobuyuki Nakajima (organizer of the "Ete Palma Ensemble") (#8), and a collaboration work by the two (#6), which were commissioned for this album. In this ensemble, Kikuchi carefully takes up masterpieces that the genre of popular music has accumulated for movies, background music, etc., as if he were presenting contemporary music, and gives them an elaborate interpretation, as if he were taking up classical/romantic music. The vividness of the collage of collective improvisations ( #3,5,7,12 ) seems to echo the title of the album, which celebrates the beauty of oblivion.
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Tracklisting
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